Happy St. Æthelwold’s Day, 2019

St. Æthelwold’s Day is upon us again! On this day in 984, St. Æthelwold passed on to his eternal reward, as the saying goes. I’m currently teaching two classes and in the midst of writing three different books, so unfortunately I am not able to post a translation of a hymn in honor of Æthelwold today as I did last year, but I will post at least another collect and translation below.

But I will make one Æthelwold-related suggestion: anyone interested in Æthelwold’s legacy, the English Benedictine Reform generally, and especially their influence on English culture and literature would do well to check out John D. Niles’s new book out from Exeter University Press, God’s Exiles and English Verse, an excellent new and comprehensive study of the tenth-century Exeter Book. The Exeter Book is the first anthology of English poetry, and it contains some of the great poems that have come down to us from Anglo-Saxon England. As it was made in the cultural orbit of the Benedictine Reform, Niles reads the whole manuscript in light of this movement, and when I read his book last month I was both impressed and delighted.

Next year, I’m hoping to have a translation of the Middle English verse Life of St. Æthelwold done for his day. As I assume I won’t find a publisher in a journal for that one, I’ll likely publish it here. Stay tuned.

Anyhow, for today, here’s my translation of a collect for Æthelwold’s feast, found in Alencon Bibl. mun. 14 and edited in Lapidge and Winterbottom, The Life of St. Æthelwold, p. cxv:

Deus, qui preclari sideris sancti pontificis Adeluuoldi illustratione nouam populis Anglorum tribuisti lucem hodierna die clarescere, tuam suppliciter imploramus clementiam ut cuius magisterio totius religionis documenta cognouimus illius et exemplis informemur et patrociniis adiuuemur. Per [Dominum nostrum Christum. Amen.]

O God, who by the illumination of the bright star of the bishop Æthelwold have today made a new light to shine upon the English people, we humbly implore your mercy that we might be formed by the example and aided by the protection of him by whose teaching we have found the model of all religious observance. Thru [Christ our Lord. Amen.]

A happy St. Æthelwold’s Day to all!

Celebrating the Unity of East and West in New Essay in Benedictine Magazine

I have an enduring appreciation for all the spiritual and religious traditions of humanity, and within the Church I am particularly enthusiastic about the witness to unity that the full communion of the Latin Catholic Church and the twenty-three Eastern Catholic Churches (all twenty-four being sui iuris Churches in communion with the bishop of Rome) share.

The extensive diversity on the surface (of liturgical form, spiritual culture, and secular culture and language), attended by the willingness and desire to share in the most profound depths of sacred ritual (most especially the Eucharist) point up just how much we can be united within our very real differences.

In one specific and practical example, I address the fruits of this communion in a new article published by Spirit & Life, the magazine put out by the congregation of Benedictine sisters with whom I am an oblate. You can read the full essay here.

Thank you to New Camaldoli and Retreatants + New Audio of Swamiji Poem

My wife and I just returned from the Big Sur coast where I led a retreat at New Camaldoli Hermitage with Fr. Cyprian Consiglio on Swami Abhishiktananda‘s life and wonderful legacy. The weekend was filled with deep conversation and joy in the Spirit.

The Hermitage offers nourishment for soul and body, with a tremendous view of the Pacific (and attendant cloudscapes) from its mountain perch. The liturgy, meditation, and  space for silence and presence of mind and spirit were all exactly what my wife and I needed after a busy school year and the recent publishing push and . . . everything!

My sincerest thanks to the Camaldolese monks at New Camaldoli, and especially to all the retreatants who came along for the ride–I hope our paths cross again soon!

In continued celebration of Swamiji’s work, here is a translation of a poem from Swami Abhishiktananda’s journal that is in my collection; I read this at the retreat during a session on Swamiji’s use of poetry to gesture at his profound advaitic and mystical experiences.

“You have seen the lightning” addresses its own author and all those who have glimpsed the root unity of things beyond appearance, with a kind of fatherly caution. It speaks to the intimacy of such experience and the inadequacy of words in its face–and yet our desire to speak or sing of it despite this. Enjoy!

 

 

 

New Interview on St. Aethelwold’s Translation of the Rule of St. Benedict

It is my great pleasure to share that Dr. David Grubbs of the Christian Humanist Radio Network recently invited me to sit down and talk about my work with St. Aethelwold’s Old English translation of the Rule of St. Benedict (and other Anglo-Saxon things), and the interview is now available here.

We had a great time, and while we geeked out over all kinds of Anglo-Saxon things, we also wanted to keep the conversation grounded in order to invite folks into a relatively specialized topic. That is to say: you don’t need to be a student of medieval history or literature to follow the interview, so please do give a listen!

Thanks again to Dr. Grubbs and everyone there at The Christian Humanist!

New Middle English Translation in Spirit & Life

Quick follow-up post: my translation of a classic Middle English lyric, “Adam Lay Ybounden,” has just appeared in the Benedictine magazine Spirit & Life. It’s a delightful short poem from c. 1400 that describes the paradoxical benefits of the Fall in Genesis 3. Plot twist!

Special thanks to Sr. Sarah Schwartzberg of the Benedictine Sisters of Perpetual Adoration for publishing this. Check out the sisters’ daily podcast of their chanting of the Liturgy of the Hours at their monastery in Clyde, MO here.

Pax

Bhairava

Here is another reading of one of my translations of Swami Abhishiktananda’s poems. This piece, “Bhairava,” is one of my favorite of Swamiji’s poems. The Sanskrit adjective “bhairava” means “frightful/terrible/etc.” and it is also the name of a deity recognized in Hinduism and various schools of Buddhism, especially associated in Hinduism with Shiva. Bhairava is then a frightful face of Shiva, having to do with dissolution and annihilation. Swamiji composed this poem during his month-long silent retreat at Kumbakonam, a town in Tamil Nadu, India in November of 1955.

Swami Abhishiktananda uses this title of Shiva as a novel way into some well-trodden tropes in the mystical poetic toolkit: abandonment, ravishment, desolation and dissolution, union-as-annihilation-of-the-self. The poem speaks to the terror and lonesomeness of the radically contemplative life and the experience of non-dualism within human consciousness–even as union is experienced, a lingering sense of the individual endures and can cause disturbance.

But beyond the surface of these frightful images and emotional states, one can also see the playful use of such imagery to paradoxically gesture toward profound states of consciousness that simply don’t “come out” in direct expression. Though Swamiji’s imagery here is distraught and painful–even calling his addressee an “Ogre” at one point–it points to a state of unknowing that is “tender and heartrending at once,” heartrending as long as there is some part of the identity that is clung to, at any rate.

 

Dom Henri Le Saux/Swami Abhishiktananda and the Holy Mountain Arunachala

In 1948, Dom Henri Le Saux, a Benedictine Monk, left his native Brittany and arrived in Southern India. He intended to establish the contemplative monastic life in the Indian church, a life dedicated to sacred silence in a land imbued with sacred silence.

Though he was sympathetic to Hindu philosophy, especially the ideas and experiences described in the Hindu scriptures known as the Upanishads, he still assumed that he would be converting others to the Christian way during his time in India. Yet when he encountered the simple faithful and the contemporary sages in his new homeland, he found the Spirit at work there, beyond the borders of institutional Christianity and any Christian faith whatsoever. This led him to dramatically reevaluate his “mission” in India and his very understanding of all R/reality.

This reevaluation was especially spurred by his encounter with the Self-realized sage Shri Ramana Maharshi (shortly before Shri Ramana’s leaving the body in 1950) and the sacred mountain where Shri Ramana lived, Arunachala. In Shri Ramana, Swami Abhishiktananda saw the heights of contemplation and divine union of his own Catholic Christian tradition lived in an authentic way, and he spent several retreats living in the caves of Arunachala and getting to know the hermits who lived there, the members of Shri Ramana’s ashram community, and those who lived in the adjacent town, Tiruvannamalai.

In the caves of Arunachala, Swami Abhishiktananda spent long hours in silence and experienced deep states of meditation. As Swami Atmananda Udasin, the director of the Abhishiktananda Centre for Interreligious Dialogue, says, “there [he] had his first great mystical insights. Later in his life, he would refer to the Mountain as his place of Awakening: ‘But as for myself, like Shri Ramana, it was Arunachala that awakened me. Oh, that Awakening!'”

The larger part of my new book, In the Bosom of the Father: The Collected Poems of a Benedictine Mystic, is comprised of the poems that Swami Abhishiktananda composed in light of his experiences in those first few years in India, especially in his encounter with Arunachala as well as Swami Abhishiktananda’s “renderings” of Shri Ramana’s Tamil poems. The first in the collection, Aruncachala, he described as being “sung to me by Arunachala one night before I went to sleep, and I relit my lamp several times to catch it. Perhaps it will convey some of the spell cast on me by Arunachala.” Below is a reading of my translation of Swami Abhishiktananda’s poem, and Swamiji’s own note for context.

 

 

“Arunachala is a holy place of particular veneration in Tamil Nadu in the South of India. The Puranas . . . tell of its origins. There was a quarrel between Brahma and Vishnu, each claiming that he was the First and Greatest. Suddenly, a Column of Fire appeared in the space between them. They decided that whoever first found either the foundation or the summit of this mysterious Column would be accepted by the other as the superior. Brahma dashed to the summit, while Vishnu began to dig into the earth, but both had to admit the vanity of their efforts. It was Shiva who had manifested themselves to them, convincing them of the futility of their former claims, for the greatest and first in Being is Shiva. The Column of Fire later turned into a Mountain of sapphire, and finally a Mountain of stone. Each year during the full moon of the month of Karttikai (15 November-15 December), an immense fire is lit on the summit of the Mountain, which is called the feast of Dipam (“dipa” in Sanskrit; “lamp” in English). The Tamil name for the city there is Tiruvannamalai.” (In the Bosom of the Father, 23.)

Happy St. Æthelwold’s Day!

While I will be posting about other things very soon, given my recent preoccupation with all things Æthelwoldian I thought I’d share the news that, yes!, it is St. Æthelwold’s Day today.

For anyone reading this who may be unfamiliar with St. Æthelwold, he was an Anglo-Saxon bishop and abbot who was a primary architect of the religious and political movement we call the Anglo-Saxon Benedictine Reform in the tenth century, which had huge implications for English religious life, the English state, and (most importantly to me) Old English literature. (More here.)

St. Æthelwold passed away (was “born into eternal life,” as his contemporaries would have thought of it) on August 1st, 984. His communities at Winchester and abroad “culted” him shortly after his death. This means they made him a saint by celebrating the anniversary of his death in the liturgy; this was long before “official canonization.” The technical word for this anniversary of a saint’s death is “deposition” (really referring to the body’s interment in a grave, but close enough…).

Though St. Æthelwold’s cult never spread very far, he is still recognized in the Roman Martyrology as a saint. There, it says:

“Vintoniæ in Anglia, depositio sancti Ethelwoldi, episcopi, qui, Regularem Concordiam illam exaravit ad monasticam disciplinam redintegrandam, quam a sancto Dunstano didicerat.”

Which means, more or less:

“At Winchester, in England, the deposition of St. Æthelwold, bishop, who composed the Regularis Concordia in order to renew monastic discipline, which he had learned from St. Dunstan.”

(The Regularis Concordia was the document intended to standardize daily observance of the monastic life throughout England, agreed upon at the Council of Winchester ca. 973 and thought to have been largely drafted by St. Æthelwold himself.)

In addition to the Roman Rite of the Catholic Church still venerating him, the Ordo (liturgical outline of the Church year) for the Personal Ordinariates of Our Lady of Walsingham and of the Chair of St. Peter also commemorate him, though the Ordinariates’ calendars place Æthelwold together with Sts. Dunstan and Oswald on St. Dunstan’s traditional feast day of May 19th.

Despite Æthelwold’s leaving a less-than-spectacular mark on the liturgical front, I’ve decided to make a good showing for this year’s deposition. Below, you can find a hymn and a collect prayer for St. Æthelwold’s feast day that were likely composed by his student, Wulfstan of Winchester. Wulfstan was the precentor, or liturgical director/composer, at Winchester’s Old Minster, where Æthelwold was buried (note that the hymn says “here before your holy limbs”/”Hic coram tuis artubus”). Both are from a manuscript known by the shelf-mark Alençon, Bibliothèque Municipale 14.

The hymn is octosyllabic Latin verse, and I’ve done a rough-and-ready English translation into octosyllabic verse too; the text for both is found below the audio. The audio immediately following this paragraph is a recording of the hymn being chanted in Latin and English to a traditional setting for octosyllabic hymns from the Divine Office, which was taught to me by a former Premonstratensian. (Disclaimers: 1) I have no idea whether or not this setting or something like it would have been used in the tenth century–likely not, but it’s in the same stream of tradition so I use it here; 2) I have no training in singing generally, nor in Gregorian chant specifically–this is just to give a taste or hint of what such things would sound like.)

The Latin text goes like this (edited by Michael Lapidge and Michael Winterbottom in their The Life of St. Æthelwold):

Celi senator inclite

Sancte pastor ecclesie:

O Adeluuolde supplices

Tuos exaudi seruulos!

 

Iam sidus inter sidera

Resplendens super ethera,

Nobis benignus impetra

Paracliti karismata.

 

Pronis rogamus mentibus

Hic coram tuis artubus:

Nostris adesto precibus

Serenus ac propitius.

 

Vt tuis necessariis

Protecti patrociniis,

Ad celorum perpetua

Perueniamus gaudia.

 

Prestet nobis Ingenitus

Hoc atque Vnigenitus

Sanctus amborum Spiritus

Trinus et unus Dominus!

 

 

The translation:

O heav’nly representative

and good shepherd of holy Church,

O father Æthelwold, hear us,

grant good end to your servants’ search.

 

Now brightest star among the stars,

shining resplendent in the sky,

obtain for us you blesséd man,

the Holy Spirit’s gifts most high.

 

We beg you with our souls prostrate

before your body’s holy limbs,

attend to all our earthly prayers:

calm, gentle healing of our sins,

 

that in our weakness protected

by patronage that you employ

we might be led to the heavens

rejoicing in perpetual joy.

 

May the Inborn and Holy Source

and Unbegotten Only Son

and Holy Spirit of them both,

the Three-in-One, grant this to us. Amen.

 

And here’s the collect (Latin again from Lapidge and Winterbottom):

Deus, qui hodiernam diem beati confessoris tui Adeluuoldi episcopi transitu nobis honorabilem dedicasti, concede propicius ut cuius eruditione ueritatis tue luce perfundimur, eius intercessione celestis uite gaudia consequamur. Per.

And a translation:

God, who have dedicated this glorious day for us thru the passing away of your blessed confessor Æthelwold, kindly grant that we may obtain the joys of heavenly life through the intercession of the one through whose erudition we have been imbued with the light of your truth. Though [our Lord Jesus Christ your Son, who lives and reigns with you and the Holy Spirit, one God, forever and ever. Amen.]

 

A happy Æthelwold’s Day to all! 🙂

Resources for Understanding Anglo-Saxon Monasticism and Old English Poetry

As part of my continued efforts to make available more obscure resources for understanding the cultural, intellectual, and religious context of the culture in which Old English poetry was copied down, I have created a page on my website for translations of texts that are difficult to find.

The two installments (no more are planned right now, but if folks find them helpful for themselves or students and let me know, I’d be happy to do more) are both documents providing some background to the early moves of the Anglo-Saxon Benedictine Reform. I have heard both of these texts referenced in classes once or twice throughout my studies, but never actually read them. I found out recently that at least part of why I never read them is that there aren’t readily available Present Day English translations. Hence the new page.

Both texts have to do with the refounding of monasteries in Winchester. Why Winchester? It was the seat of royal power at the time, it had a bishop’s see, there was a growing city in the period with agriculture and craftspeople, and St. Æthelwold became bishop there, establishing a school that would shape Anglo-Saxon music, manuscript illustration, and the standardizing of the Old English language for decades.

The first text is a translation of the New Minster Charter from 966. Written in the voice of King Edgar, it was almost certainly composed by Æthelwold, and it is a surprisingly elaborate charter written in gold lettering and including an illustration of King Edgar that visually situates the grandeur and limits of royal power. The charter was likely intended to sit on the New Minster’s altar for the monks and the visitors to see, and it was meant to be read aloud throughout the year (though the chapter that promises to describe that process is missing.) The text places the refounding of Winchester’s New Minster in the context of salvation history, blesses those who will help the monks, condemns those who would hinder them, and notes that the monks will be able to choose their own abbot, all in a surprisingly elaborate way.

The second text is a letter from Pope John XII (+964) that gives permission to King Edgar (+975) and St. Æthelwold (+984) to eject secular priests from the Old Minster in Winchester and to set up monks in their place. The letter is important 1) in showing the papal blessing on innovations in church governance that the Reform was pursuing, like having monastic cathedral chapters and monks electing bishops (both of which were unique at this time in the western church), and 2) it helps attenuate somewhat a picture of St. Æthelwold as a particularly harsh figure. (An excellent treatment of how this perspective came to be can be found in Alison Hudson‘s article.) Though we do not want to understand such actions naively, the letter translated here provides context for Æthelwold’s actions at Winchester’s Old Minster in 964–namely, that King Edgar had received permission for the expulsion from Pope John XII via a letter to the pope from St. Dunstan (+988), archbishop of Canterbury. Æthelwold was the agent on the ground, as it were, but it is good to keep in mind that he was acting in concert with other powerful forces.

These pieces can help interested readers and students of western monasticism and Old English literature understand a bit more of the institutional conduits through which the majority of Old English, and lots of Anglo-Latin, was copied, preserved, and passed down the centuries.

The Rule of St. Benedict in Old English

Ever since I first saw Old English poetry on the page (when I happened on J.R.R. Tolkien’s edition of Finn and Hengest in the library of a Dominican University in California) and heard it recited aloud (by my first Old English teacher at UW-Madison), I have loved it. (Old English is the English language as spoken and written ca. 450-1100.) The verse’s sonic qualities are second to none and the use of letters strange to us English-speakers a thousand years on appeal to my aesthetic sense for novelty too. After falling in love with Old English poetry, I decided to study it for real and I’ve been doing so for the last thirteen years of my life. (Which seems like a lot when I say it.)

One thing that has always seemed very strange to me is how little the social and cultural and, let’s say it, religious context of Old English poetry is tended to in the classroom, and in popular collections of translated Old English. I’ve been in lots of Old English and medieval literature classrooms–my teachers’, my own, and some of my colleagues–and specifically the monastic and Benedictine context of the production of Old English verse is mostly left out of the discussion. Scholars research the Anglo-Saxon Benedictine Reform, and professors sketch in the nature of the church and the royal court in general terms in the classroom, but almost all that we have of Old English poetry was recorded either by the monks of the Anglo-Saxon Benedictine Reform or other clerics in their cultural orbit. Old English poetry can certainly be understood without a keener sense of the specific subculture that produced its material record, but the fact that we do have a good sense of this subculture still leaves me fairly baffled as to why we (teachers and translators of Old English) mostly don’t share this with our students and audiences.

Cistercian Publications recently published my translation of St. Æthelwold of Winchester’s Old English rendering of the Rule of St. Benedict, and I largely took on this project in order to provide students and more general readers of Old English poetry with easier access to information on and primary texts of this literary subculture. In his “translation” of the Rule, Æthelwold shows clearly that he understands the original Latin, but he also shapes the text as he likes. He inserts his own commentary, omits material, changes the meaning of certain sections that conflict with the goals of the Reform movement he co-headed, and inserts commentary from the Frankish abbot Smaragdus of Saint-Mihiel–all without acknowledging that he is doing it. And so the “translation” becomes its own text, a “reception” of Benedict’s text by a tenth-century Anglo-Saxon abbot and bishop. I’ve also included a translation of another Old English text by Æthelwold that describes the progress and goals of the Reform and a “Life” of St. Benedict by Æthelwold’s pupil Ælfric of Eynsham. My hope is that these texts can give students, general readers, and burgeoning scholars alike a clearer window into the lives of many of the people responsible for handing Old English poetry on to us.

With all this in mind, I’m also going to be trying this approach out in a class this fall. I will be teaching Old English poetry as a genre class with an emphasis on the monastic culture in which it is historically anchored. I’m looking forward to seeing what students make of this more direct contextualization of the poetry and am excited to see how they teach me about the connections between these two discrete but intertwined sets of texts.

Looking forward to this, and simply wanting to share how enthralling I find all this material (I still also just think Old English sounds amazing), I have recorded a reading of the Prologue to The Old English Rule of St. Benedict in the original Old English followed by my Present Day English translation. I’m planning for this to be the first of many readings on this blog, so stay tuned for further recitations of the arcane…

 

(And that’s Mary Berry and the Schola Gregoriana of Cambridge chanting Christmas in Royal Anglo-Saxon Winchester in the background–highly recommended!)